Hong Kong Movie Business Grapples With Market & Political Realities


As Filmart will get underway, Hong Kong’s main manufacturing firms, together with Edko Movies, Emperor Movement Photos (EMP), Media Asia, One Cool Group and Universe Leisure, shall be unveiling their new titles in monumental cubicles on the entrance of the commerce present flooring, a few of which shall be as elaborate as movie units.

Most of the movies they’re launching are big-budget Hong Kong-China co-productions, that includes prime Hong Kong stars and administrators, and aimed toward audiences in each China and Hong Kong. EMP has Derek Kwok’s Raging Havoc, starring Andy Lau and Nicholas Tse; Mandarin Movement Photos has The Prosecutor, starring and directed by Donnie Yen; and Media Asia is launching 4 new titles headed by Behind The Scene, produced by Infernal Affairs director Andrew Lau. One Cool’s slate features a trio of motion movies starring Louis Koo and produced by Soi Cheang.

However behind all of the glamour, stars and motion, Hong Kong’s movie business has not been having the simplest time of late. For the previous twenty years, Hong Kong’s main market has been mainland China – within the early days Hong Kong helped to develop China’s nascent movie business – however now finds itself more and more squeezed out as China has its personal capital, manufacturing experience and stars. Whereas China’s field workplace has been recovering quickly for the reason that pandemic, not a single Hong Kong-China co-production made it into the nation’s prime 20 movies in 2023.

Launched on the finish of final yr, EMP’s The Goldfinger, reuniting Infernal Affairs stars Tony Leung Chiu-wai and Andy Lau, supplied some reduction taking $80M on the China field workplace, whereas Entertaining Energy’s Rob N Roll grossed $32M following its launch this January. However these figures pale subsequent to China’s homegrown hits – three Chinese language movies launched over the latest Lunar New 12 months vacation – YOLO, Pegasus 2 and Zhang Yimou’s Article 20 –  grossed greater than $300M apiece.

In the meantime, Hong Kong’s personal field workplace is struggling to return to pre-pandemic ranges. In 2023, whole field workplace reached $183M, round 25% up on the earlier yr which had been badly hit by cinema closures, however nonetheless 25% beneath the pre-pandemic yr of 2019. The Hong Kong Movement Image Business Affiliation (MPIA) described the figures as “very unsatisfactory” and reported that field workplace within the latest Lunar New 12 months vacation interval was down 24% year-on-year.

Rob N Roll

Some native movies are performing properly on the Hong Kong field workplace – but it surely’s not the big-budget Hong Kong-China co-productions. Final yr, authorized drama A Responsible Conscience grew to become the highest-grossing native movie of all time in Hong Kong, grossing $14.7m, though it was the one native movie within the year-end prime ten. Two different native movies from rising filmmakers, Nick Cheuk’s Time Nonetheless Turns The Pages and Lawrence Kan’s In Broad Daylight, each coping with social points, grossed round $3M apiece, which was thought-about a profitable consequence contemplating the comparatively small budgets of each movies.

“It’s most likely time we began to redefine what’s industrial on this market, as a result of costly movies usually are not doing properly, whereas movies made for simply HK$3M [US$383,000] are returning many instances their funds,” says Golden Scene gross sales & acquisitions supervisor Felix Tsang. “Audiences are responding to movies that talk extra on to their private expertise.”

New era

Golden Scene has been concerned in producing and/or distributing an entire slew of movies from this new era of filmmakers, together with two upcoming titles – Sasha Chuk’s Fly Me To Moon, which offers with subjects together with immigration, poverty and dependancy, and Ray Yeung’s All Shall Be Properly, about an older lesbian couple and the way the surviving accomplice struggles to retain her house and her dignity when certainly one of them passes away. All Shall Be Properly lately premiered in Panorama on the Berlin movie pageant, the place it received the Teddy Award, and can play because the opening movie of this yr’s Hong Kong Worldwide Movie Pageant.

Different firms which can be backing rising filmmakers embody One Cool, which financed In Broad Daylight, about abuse and corruption within the care house system; Edko Movies, which is launching Norris Wong’s second movie The Lyricist Wannabe; whereas MM2 Leisure produced Time Nonetheless Turns The Pages, which touches on suicide.

Many of those new era movies have additionally obtained funding from the Hong Kong authorities. The Hong Kong Movie Growth Council (HKFDC), below Create Hong Kong, operates the First Function Movie Initiative (FFFI), which provides grants of as much as $1M (HK$8M) to movies from first-time administrators, in addition to the Movie Manufacturing Financing Scheme, which co-invests in movies with budgets of as much as $7.7M (HK$60M). The latter scheme co-has financed movies together with A Responsible Conscience, Over My Lifeless Physique, Mama’s Affair and Social Distancing.

All Shall Be Properly

Yeung, a extra skilled director with credit additionally together with award-winning drama Twilight’s Kiss, says he utilized for presidency funding for All Shall Be Properly however didn’t find yourself utilizing it as a result of he’d managed to lift finance privately earlier than the funds got here via. He explains this course of was a wrestle, as funding sources in Hong Kong are restricted, however hopes the success of latest new era movies may encourage native firms to rethink their funding technique. “I meet a whole lot of native audiences who say they don’t need to take their households to see violent gangster motion pictures, however like watching movies from this youthful era as a result of they’re much more significant,” Yeung says.  

Censorship issues

However the elephant within the room for this new era is that Hong Kong isn’t working below the identical guidelines because it was earlier than the pandemic. Following pro-democracy protests in 2019, Beijing launched the Nationwide Safety Legislation in 2021 and is at the moment implementing an extra piece of safety laws, Article 23, which criminalizes “treason, espionage, exterior interference and disclosure of state secrets and techniques”, as a part of Hong Kong’s personal mini-constitution.

Whereas half 1,000,000 individuals marched in opposition to Article 23 when it was first mooted in 2003, there’s unlikely to be a lot protest now, though the Hong Kong Bar Affiliation, European Chamber of Commerce and Hong Kong Journalists Affiliation have all raised issues about how the regulation shall be interpreted.

Because the wording of those legal guidelines is worryingly obscure, they’ve resulted in a a lot larger diploma of self-censorship amongst Hong Kong filmmakers. It’s turn out to be troublesome to inform tales that contact on political subjects or query authorities coverage in Hong Kong and mainland China. Tales that function police or different characters in positions of authority, concerned in corruption or some other type of ethical ambiguity, are additionally tough to inform. In actual fact, the irony of Leung and Lau’s latest re-teaming is that it might be nearly not possible to make a movie like Infernal Affairs in Hong Kong as we speak.

In Broad Daylight

One other drawback this new era faces is that their movies are often hyper-local and comparatively low-budget, which makes it troublesome for them to journey past a number of worldwide territories (though that’s not a problem solely skilled by Hong Kong filmmakers). And whereas many first movies are being made, only a few of those administrators are happening to make their second options. “A whole lot of these filmmakers can’t get funding for his or her second movies as a result of they will’t get their scripts previous the massive firms,” says Tsang. “There’s nonetheless a mismatch between what the business is making and what the Hong Kong viewers truly needs to see.”

Authorities assist

Conscious of all these points, HKFDC has been increasing its assist for Hong Kong filmmakers, with a latest concentrate on encouraging them to discover worldwide markets past Hong Kong and China, initially via co-production and different types of collaboration with Europe and the remainder of Asia.

On the latest Berlin movie pageant, HKFDC introduced a Hong Kong-Europe co-production funding scheme, following the launch of a Hong Kong-Asia co-production programme, in addition to a streaming content material growth scheme, in 2022. The ‘Hong Kong-Europe-Asian Movie Collaboration Funding Scheme’ will provide grants of as much as $1.15M (HK$9M) to function movie tasks that mix Hong Kong and European and/or Asian expertise. The tasks would not have to shoot in Hong Kong, and would not have to be filmed within the metropolis’s official languages of English and Chinese language, though 30% of below-the-line prices should be spent in Hong Kong.

“Taking a look at native manufacturing over the previous couple of years, most Hong Kong motion pictures concentrate on Hong Kong’s present tales and social issues, so we really feel a scheme like this can expose our filmmakers to what’s occurring in the remainder of the world,” says HKFDC chairman Wilfred Wong.

“Hopefully, it can additionally pave the best way for them to enter different movie markets as a result of they will work with movie individuals from different elements of the world, and possibly discover tales apart from specializing in the conditions surrounding Hong Kong.”

Fly Me To The Moon

Hong Kong-based producer and business guide, Michael J. Werner, who lately produced Yeung’s All Shall Be Properly, says this type of authorities intervention is important because it’s turning into more and more troublesome to lift finance for impartial function movies, not simply in Hong Kong, however all through a lot of the world. On the identical time, up till now, the worldwide streamers haven’t targeted on producing Hong Kong content material in the best way they’ve in territories akin to India, South Korea and Japan.

“There’s no institutional financing for movies in Hong Kong, no banks which have movie financing divisions, and if there are excessive web value people financing movies, they’re not doing it in a really public or coherent trend,” says Werner, who additionally govt produced many Asian and worldwide movies when operating Fortissimo Movies. “So in Hong Kong, as in lots of different territories, it’s significant that the federal government is creating programmes that assist carry in regards to the creation of content material.”

Nevertheless, Werner provides that the brand new funding schemes have to be clear from the outset about their standards and targets: “It’s incumbent upon the FDC to make the programmes clear and honest so that everyone actually has an opportunity to use and obtain that funding,” Werner says.

HKFDC says that its expects to announce the primary spherical of tasks funded below the Hong Kong-Asia collaboration scheme, first unveiled in November 2022, earlier than the top of March. In the meantime the expanded scheme additionally involving Europe shall be mentioned at a Filmart seminar on Tuesday (March 12).

In fact, not one of the challenges that Hong Kong is now going through are new. Because of the small dimension of the Hong Kong market, and the town’s distinctive geographical and political place, the native movie business has at all times confronted this dilemma of whether or not to make movies for the China market, with the attendant danger that they received’t work elsewhere, or to goal for worldwide markets with all of the complexity that includes.

Hong Kong’s movie business has additionally at all times been extraordinarily resilient. However with Beijing’s growing affect over the town, its inventive industries now have to navigate a way more advanced actuality. Hong Kong can be going through a rising tide of competitors from dynamic and far freer content material industries in Korea, Japan, Taiwan and Southeast Asia. It would take greater than resilience; for positive it can take quite a lot of braveness, partnership and experimentation, to chart a brand new path.

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